Co-Op Dallas
Co-Op Dallas
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wetheurban:


SPOTLIGHT: Sculptural Artist Kevin Francis Gray
Sometimes you come across an artist whose work both intrigues and disturbs you, to the extent that you find it hard to tear yourself away from that which you are viewing… One such being is Irishman Kevin Francis Gray.

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wetheurban:


SPOTLIGHT: Sculptural Artist Kevin Francis Gray
Sometimes you come across an artist whose work both intrigues and disturbs you, to the extent that you find it hard to tear yourself away from that which you are viewing… One such being is Irishman Kevin Francis Gray.

Read More
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f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
f-l-e-u-r-d-e-l-y-s:


Fake Too Fake project by giovanni bortolani

The subject of this exhibition is the main body, wearing wounds and disfigurements gives us the fragility of appearances by a part and the scars of life on the other side. In contrast to the myth of eternal beauty that resists battle against time, with these photos you want to demystify this concept, to show that the madness that lies behind this race is human, all too human. In their work, and John Bortolani Marcorea Malià transform reality in a fantastic stage. John uses light to trap the subject in a frame and makeup pixels. Marco manipulates the organic shapes the hair and paints the skin. Who needs them to do their search for a magic mirror, which fore the reality to make it more beautiful. John and Mark are two great magicians of appearance. This project transformed the photographic images taken stage in a harsh reality: it is a mirror and said visible and handling acts to unmask the theater. Just a little ‘make-up water and leaves, the fold will come undone. And every bottom photo is only the illusion of stopping time.
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f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
f-l-e-u-r-d-e-l-y-s:

Frozen Air Bubbles in Abraham Lake 
Abraham Lake is home to a rare phenomenon where bubbles get frozen right underneath its surface. They’re often referred to as ice bubbles or frozen bubbles. This has made the lake famous among photographers.
Photographer Fikret Onal explains the phenomenon: “The plants on the lake bed release methane gas and methane gets frozen once coming close enough to much colder lake surface and they keep stacking up below once the weather gets colder and colder during [the] winter season. “Abraham Lake is an artificial lake on North Saskatchewan River in western Alberta, Canada. The lake was created in 1972.
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f-l-e-u-r-d-e-l-y-s:

Holographic Light Sculptures by Roseline de ThélinHeart for Roseline de Thelin, an Ibiza-based artist who imagines the most amazing sculptural form of hologram technique. Very successful with his latest series called “Seated Child” presented at the Kinetica Art Fair in London creations. To discover in the following article in images.
f-l-e-u-r-d-e-l-y-s:

Holographic Light Sculptures by Roseline de ThélinHeart for Roseline de Thelin, an Ibiza-based artist who imagines the most amazing sculptural form of hologram technique. Very successful with his latest series called “Seated Child” presented at the Kinetica Art Fair in London creations. To discover in the following article in images.
f-l-e-u-r-d-e-l-y-s:

Holographic Light Sculptures by Roseline de ThélinHeart for Roseline de Thelin, an Ibiza-based artist who imagines the most amazing sculptural form of hologram technique. Very successful with his latest series called “Seated Child” presented at the Kinetica Art Fair in London creations. To discover in the following article in images.
f-l-e-u-r-d-e-l-y-s:

Holographic Light Sculptures by Roseline de ThélinHeart for Roseline de Thelin, an Ibiza-based artist who imagines the most amazing sculptural form of hologram technique. Very successful with his latest series called “Seated Child” presented at the Kinetica Art Fair in London creations. To discover in the following article in images.
f-l-e-u-r-d-e-l-y-s:

Holographic Light Sculptures by Roseline de ThélinHeart for Roseline de Thelin, an Ibiza-based artist who imagines the most amazing sculptural form of hologram technique. Very successful with his latest series called “Seated Child” presented at the Kinetica Art Fair in London creations. To discover in the following article in images.
ZoomInfo
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
f-l-e-u-r-d-e-l-y-s:

Perceiving the Flow: Human Figures Composed of Unraveling Stainless Steel Ribbons by Gil Bruvel
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likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
likeafieldmouse:

Francis Alys - Fabiola (2008)
“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. 
Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.
Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”
hipsterloli:

Phillip Treacy who is one of my fave millinery designers created alongside Moritz Waldemeyer (who is no stranger to my fashion tag either) wearable LED headpieces


this is very Prfm and i like it
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gothiccharmschool:

How wonderfully haunting and eerie. By Audrey Piguet
gothiccharmschool:

How wonderfully haunting and eerie. By Audrey Piguet
gothiccharmschool:

How wonderfully haunting and eerie. By Audrey Piguet
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lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
ZoomInfo
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950
f-l-e-u-r-d-e-l-y-s:


Antony Gormley 

Antony Gormley - sculptureAntony Gormley is widely recognized for his sculptures, installations and public art that focus on the relationship of man to the space. His work has developed the possibilities offered by the sculpture of the 60s through critical engagement with their bodies and faces of key issues which the human being is related to nature and the cosmos.Gormley’s works have been widely exhibited in the UK and abroad with exhibitions at the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012), The Museum Hermitage, St. Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and the Louisiana Museum of Modern Art, Humlebæk, Denmark (1989) . He also participated in a large group as the Venice Biennale (1982 and 1986) and Documenta 8 in Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Australia (Lake Ballard, Western Australia) and exposure (Lelystad, Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999 and the Bernhard Heiliger Award for Sculpture in 2007. In 1997 he was made an Officer of the British Empire (OBE). Is an honorary member of the Royal Institute of British Architects, an honorary doctorate from the University of Cambridge and a member of the Trinity and Jesus College, Cambridge. Gormley was a real university since 2003 and member of the British Museum since 2007. Antony Gormley was born in London in 1950